Offering Sympathy From a Distance in the Time of Coronavirus

When a friend is grieving a loss, here are ways to provide support

By Margie Zable Fisher

When my good friend, Nikki, told me a few days ago that her father had just passed away from natural causes, my first reaction was to offer sympathy. Then I asked, “What are the funeral arrangements?”

Her answer: “I’m not sure. We will have a memorial service, but we don’t know when. This pandemic is kind of getting in the way.”

Well, yes, it is.

Nikki and I are part of a group of friends who met playing tennis over 20 years ago. We’ve celebrated and helped each other over the years, through marriages, births, divorces and deaths.

But after Nikki’s response, I was stumped. How was I going to support her through the grieving process, when there was no memorial and when we were all supposed to be practicing “social distancing?” I reached out to experts to get some ideas.

The New Rules of Gathering

David Kessler, a Los Angeles-based authority on grief and founder of Grief.com, is in a similar situation. Someone he knows recently died. “This is a strange new world of grief,” he says. “If we can’t gather for a funeral, mourning gets very complicated.”

In the blink of an eye, the world’s burial rituals — which have traditionally helped people through the grieving process — have changed. Italy has banned traditional funeral services. Countries around the world (including the U.S.) have suggested limits on the amount of people attending services.

People over 60 may have the toughest time attending funerals of family members or friends. The U.S. Centers for Disease Control and Prevention (CDC) has recommended that those at a serious risk of COVID-19 avoid gatherings of 10 or more, and older people are at highest risk. Some funeral directors, including Virginia Kerr Zoller, co-owner of Kerr Brothers Funeral Homes in Lexington, Ky., are already suggesting that people’s older relatives stay home, according to a recent article in the Lexington Herald-Leader.

James Olson, funeral director of Olson Funeral Home and Cremation Service in Sheboygan, Wis., and a spokesperson for the National Funeral Directors Association, notes that Wisconsin’s governor declared that no gathering be larger than 10 people. This seems to be the most common suggestion around the country. But, as Olson notes, this could change daily or even hourly.

Matt Levinson, president of Sol Levinson and Bros. Funeral Home, serving the Jewish community in Baltimore, says they are still conducting burials quickly (as commanded by Jewish law), but are recommending that only the immediate family of 10 people or less attend. The funeral home is also offering the option to conduct the memorial service at a later date.

Levinson and his team are offering comfort the best way they can during this time — by alleviating some of the worry of gathering.

“Funeral arrangements are made over the phone, chairs are continually sanitized and spaced farther apart at the cemetery, and gloves are used for people who want to use a shovel to place earth in the grave,” he says.

Levinson also notes that he is working hard to keep his staff healthy. He has them working in shifts, not only to protect them from infection, but also to give them time off to handle the daily demands of this crisis.

One thing that hasn’t changed: informing friends and family about a recent death through phone calls, texts, newspaper obituaries and in Facebook posts. What’s missing are funeral arrangements, and details about gatherings such as shivas, where, in the Jewish tradition, loved ones and friends get together at a home for a week after the burial to support the family of the deceased.

Phone Calls Are Important

So if we can’t mourn together in person, how do we offer comfort?

“We aren’t able to hug, and physically connect, so we need to rely on using our words,” says Kendall Kridner-Protzmann, a pastor of congregational care at St. Andrew United Methodist Church in Highlands Ranch, Colo.

Kridner-Protzmann suggests calling mourners frequently. “Reach out through phone calls, and leave a message if necessary. Even just saying ‘This is really hard,’ is very healing.”

“When you can’t be physically present with a grieving loved one, you can still offer your emotional presence,” says Kelila Johnson, founder of Communing with Grief in Seattle. “There is solace in sitting quietly with someone, even if it’s over the phone or a video call. Often what grievers need most is to know that they don’t have to speak but that they are safe to speak, if they wish.”

Kessler suggests that in the first week after someone has passed, check in with loved ones multiple times. “If the person is in tears for an hour, you probably need to call daily,” he says. “If the mourner says that things are okay, you can probably check back in a couple of days.” He also strongly recommends calling instead of texting, and using FaceTime or Skype, to create a visual connection.

Technology Can Help

When you can’t gather in person, technology offers opportunities to comfort:

  • As mentioned, video calls are a great way to deepen your connection beyond audio.
  • Live streaming, which has been available for long-distance loved ones to view funeral services for many years, is now a necessity.
  • Social media is also helpful. “I’m usually not a big fan of Facebook,” says my friend Nikki. “My sister suggested we announce my dad’s passing on it, and I was floored by the comments we received.” Not only did Nikki receive hundreds of condolences, but she also heard from people from her childhood who shared stories about her father. “It was the greatest thing to hear from so many people. It really made me feel better,” she says.

Other Ways to Show You Care — In Person

I also learned four creative ways to get out and about to support those who are grieving.

Visit the grave. Just because you weren’t able to go to the burial, that doesn’t mean that you can’t go to the cemetery. “Any time after the burial, and while cemeteries are still open, you can go to the gravesite on your own, or at a distance from others, and pay your respects,” says Olson. Letting loved ones know you did this can offer comfort.

Bring food. “When you go food shopping, buy a bag of fruit for your friend, and drop it off,” says Kessler. “You don’t even need to go in the house.” Does your friend have a favorite restaurant? Order takeout, and deliver it.

Walk together — at a distance. Exercise is important to our mental and physical help at any time, but especially when grieving. “If you live nearby, offer to go for a walk with your friend,” suggests Dave Wyner, psychotherapist and certified grief counseling specialist in Louisville, Colo. “Make sure to follow health experts’ advice on keeping your distance. It might feel a little weird to walk that far apart from each other, but it can still feel incredibly supportive to the person grieving. It really comes down to helping them know they’re not alone with their pain.”

Volunteer. Obituaries often list charities you can donate to in someone’s honor. “Why not volunteer for that charity, by helping them out in person?” suggests Olson. He gives an example of The Humane Society. Instead of donating money (or in addition to it), you could offer to walk dogs, in the name of the deceased, he says. This is needed all the time, but now, it may be especially helpful.

How I’m Helping My Friend

Now that I’ve learned how to provide solace and love to those grieving during the pandemic, I’m planning to reach out to Nikki more often by phone. I will give her space to talk and I will listen.

I’m also going to offer to take a walk or a bike ride together (at a distance, of course). And I’m going to ask her what type of meal she and her family would like me to deliver.

The bottom line: We’re all struggling during this health crisis, but people mourning the deaths of their loved ones really need our support. While you may not be able to offer comfort through traditional grieving rituals, I hope these suggestions can help in a time when it is so needed.

Complete Article HERE!

She discovered a lost graveyard and a mystery she longs to solve:

Who is buried there?

A footstone lies in a secluded section of the woods west of downtown Harpers Ferry, W.Va. Amateur historical researcher Bonnie Zampino says she believes the site is a forgotten Civil War-era cemetery.

The neglected plot of land in the woods of Harpers Ferry, W.Va., may hold remains dating to the Civil War era

By Peter Jamison

It was last summer that Bonnie Zampino first noticed something unusual about the wooded plot of land in the hills above this historical town.

Zampino, a case manager for recovering drug users who lives in the neighboring community of Bolivar, was used to encountering curiosities from the past on her hikes through Harpers Ferry, a town where history has left its imprint several times over. The village overlooking the Shenandoah and Potomac rivers is most famous for the failed anti-slavery raid led by abolitionist John Brown in 1859. It was also the site of a Civil War battle and hosted large contingents of Union and Confederate troops.

Zampino, 50, had made a hobby of her interest in abandoned rural properties, taking photographs and researching old land records. But the lonely section of woods to the west of Harpers Ferry’s historical downtown and national park were unlike anything she’d seen before. Thin, jagged slabs of stone stuck up in rows. There were bathtub-size depressions in the ground — what Zampino would later learn can be a sign of settling graves. A small, white footstone sat unsteadily in the earth, like a loose tooth.

She set out to learn more about the town-owned property. Records were scarce, but after months of archival sleuthing, Zampino developed a theory that this section of woods is a forgotten remnant of some of the nation’s darkest and bloodiest days. She thinks she has discovered a lost graveyard of Union dead.

Her hypothesis, at this point, is only that. Even if soldiers’ remains are buried at the site, the number of bodies is uncertain. Zampino’s detective work has been complicated by confusing and sometimes contradictory records from the years immediately after the Civil War, a time when many of the corpses left behind by America’s deadliest conflict were disinterred and — at least in the case of federal troops — moved to special resting places.

But Zampino has uncovered compelling documentary support for further investigation, including National Park Service and military records — some dating back 150 years — that point to a soldiers’ cemetery at the location in question and suggest it fell into neglect not long after the war ended.

“Whoever’s here, I’d like to know,” she said, standing at the site in Harpers Ferry on a recent afternoon. A narrow lane of cracked pavement runs through what Zampino believes to be the old cemetery. The ground was covered in matted leaves and fallen branches. “This shouldn’t look like this,” she said.

The roots of the mystery Zampino has been trying to solve lie in a largely forgotten epilogue to the Civil War. The American military has long prided itself on the faithfulness with which it recovers the remains of those who die in conflict. After the war’s end in 1865, that endeavor took place on a huge scale, with federal officials fanning out to battlefields to retrieve the bodies of soldiers, sometimes in advanced states of decomposition. Those remains were reburied in new national cemeteries.

The job, while harrowing, was deemed essential by the government and welcomed by relatives of the fallen.

“Words fail to describe the grateful relief that this work has brought to many a sorrowing household,” wrote David Wills, a lawyer who led the effort to create the Gettysburg National Cemetery.

John Frye, a local historian and curator of the Western Maryland Room at the Washington County Free Library in Hagerstown, Md., said it was unlikely that the federal government could have overlooked a sizable number of bodies in Harpers Ferry during its retrieval efforts. Zampino said she believes anywhere from dozens to several hundred soldiers may have been interred at the site based on records she has reviewed.

“I can’t imagine the United States of America letting 300-some graves of Union soldiers go unmarked,” Frye said in an interview.

Zampino has gotten used to skepticism — or plain confusion: At the outset of her research project last year, most people seemed unaware that bodies had ever been buried at the site she discovered. “The more I couldn’t get information, the more I was like, ‘Man, I want to figure this out,’” she recalled.

She eventually discovered a 1959 National Park Service report that identified the plot as Pine Grove Cemetery, established in or around 1852. The report stated that “the cemetery was used as a burial ground during the Civil War.”

At the National Archives, Zampino discovered letters between military officials from 1866 to 1869 that discuss a “Citizens Cemetery” — separate from the other known cemeteries in Harpers Ferry — that she believes to be Pine Grove. An 1866 quartermaster general’s report says the cemetery “contains a number of soldiers graves, said to be not less than 75” that are “not distinguishable from citizens graves.”

Some of the stones Zampino says she believes were part of a wall surrounding the now-forgotten Pine Grove Cemetery in Harpers Ferry, W.Va.

Even then, however, confusion reigned over what the graveyard held.

In 1867, a military officer, responding to a request that the cemetery walls be rebuilt to protect the commingled grave plots of soldiers and civilians, replied that “all the bodies of U.S. soldiers interred at Harpers Ferry” had already been moved to Winchester National Cemetery in Virginia. Military records of the war dead from the time state that hundreds of soldiers’ bodies were moved from Harpers Ferry to Winchester between 1866 and 1867, but they are vague about what cemetery they came from. Zampino said they might have come from the more famous and centrally located Harper Cemetery.

At this point, Zampino said, the only way to resolve the questions raised by the documents is to conduct a physical examination of the site for graves and human remains. To that end, she is hoping to work with the Harpers Ferry Historic Landmarks Commission to apply for a grant that would fund ground-penetrating radar.

“I think it’s worth pursuing,” said Deborah McGee, the commission’s chairwoman.

If such research confirms the presence of soldiers’ remains, the National Cemetery Administration said, it “stands ready to provide government-furnished markers and/or grave space in a national cemetery.”

Whatever the outcome, Zampino said, she believes that after a century and a half, it’s time to solve the mystery of who rests in Pine Grove cemetery.

“There are people here,” she said. “And nobody knows who they are.”

Complete Article HERE!

Protecting Trans Bodies in Death

Your life. Your death. Your rights.

***SELECTED SOURCES/ADDITIONAL READING***

“DYING TRANS: PRESERVING IDENTITY IN DEATH” http://www.orderofthegooddeath.com/dy…

“The Supreme Court is finally taking on trans rights. Here’s the woman who started it all.” https://www.vox.com/latest-news/2019/…

“R.G. & G.R. HARRIS FUNERAL HOMES V EEOC & AIMEE STEPHENS” https://www.aclu.org/cases/rg-gr-harr…

“A transgender woman wrote a letter to her boss. It led to her firing — and a trip to the Supreme Court.” https://www.washingtonpost.com/nation…

“Transgender woman dies suddenly, presented at funeral in open casket as a man” https://www.miamiherald.com/news/loca…

“Transgender People Are Misgendered, Even in Death” https://www.vice.com/en_us/article/ex…

“Mushroom Burial Suit” Called Into Question

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You may remember the “mushroom burial suit,” the alternative-burial product that promises a gentle return to the earth as your body becomes compost and nourishes a thriving colony of fungi. Sold as an eco-friendly burial option, the Infinity Burial Suit claimed to cleanse the body of toxins, return nutrients to the soil, and support plant growth around the body. Now critics question the accuracy of the suit’s claims.

Mushroom burial suit goes viral

The Infinity Suit took the green burial world by storm in 2011. A TED talk by suit co-creator and artist Jae Rhim Lee went viral with over a million online views. Lee presented a compelling case that our modern, chemical-laden bodies need extra detox before burial. Her suit claims to go beyond natural burial to actually remove and neutralize toxins from the body.

The hype reached a peak when news broke that 90210 star Luke Perry had chosen the mushroom suit as his preferred burial option before his sudden death in early 2019. In a highly publicized Instagram post, the actor’s daughter called the suit “genius.”

The suit relies on a “biomix of mushroom mycelium and other micro-organisms” to speed decomposition, neutralize toxins, and return the body to nature. Most notably, it’s use of mushrooms imagery implied that a colony of fungi will grow out of the shrouded corpse.

From movement to industry

As an art project meant to promote a “radical acceptance of death” with a compelling visual symbol of our return to the soil, the Infinity Suit clearly strikes a chord. Its arresting symbolism can doubtlessly inspire difficult conversations. Ultimately, though, the product doesn’t live up to its claims as a practical burial option. It turns out the purported benefits of the Infinity Suit differ little from the regular decomposition of an unembalmed body. 

Dr. Billy Campbell, co-founder of the first conservation burial ground in the United States, addresses the mushroom suit in a blog post. He explains that organisms like soil bacteria, insects, and nematodes all take part in decomposition much earlier than fungi do. To him, the complex biology of decomposition and mushroom ecology makes it difficult to design a better system than nature already has.

While our modern bodies contain sometimes alarming levels of heavy metals and toxins, these amounts prove inconsequential to surrounding soil. Contamination can take place when toxic sludge or pesticides get dumped in the same location repeatedly. However, there’s little danger of any substantial pollution from buried human remains. 

Lee’s other claim—that the Infinity Suit speeds decomposition—also falls flat upon closer examination:

“Faster decomposition means that carbon leaves the body and returns to the atmosphere as CO2 more quickly … nutrients such as nitrogen are released more rapidly. What if they are released at a speed faster than surrounding plants can actually take them up? Then they make their way into waterways and cause algae blooms just as fertilizer pollution does.”

From movement to industry

Critics also argue it falls into the same trap as the traditional funeral industry. They believe Infinity is selling “a solution to an invented problem” that has simpler, cheaper (if less visually striking) answers. In a piece for AlterNet, authors Sarah and Tim Crews call the suit’s claims “wildly misleading.” They also accuse the budding “green burial” industry of manipulating customers to buy unnecessary products.

As with any trend, the popularity of “green burial” will bring out products of varying quality. It’s inevitable as eager entrepreneurs mine a lucrative new market. As a generation of eco-conscious baby boomers ages and young people embrace “death positivity,” interest in alternative burial options will continue to grow.

In an industry not overly familiar with change, the public demand for alternative burial and memorial options has left providers scrambling to provide their customers with new choices. In 2019, the Green Burial Council recognized 72 cemeteries certified for natural burial, up from only 36 in 2012. Hundreds of cemeteries and funeral homes already offer a variety of environmentally friendly options. These include wicker caskets, shrouds, and eco-friendly urns.

Let the earth do the work

Creative, personalized memorials and innovative burial techniques can help us make peace with dying. They also can help us develop modern mourning rituals, and reduce the carbon footprint of burial. At its core, natural burial is simple and economical. The key is to keep humans out of the way (when they, for example, wan to enclose a grave in a concrete vault). The earth’s self-regulating mechanisms can do quick work of decomposition, needing no specialized equipment.

Supporters of the green burial movement value simplicity, affordability, and sustainability. Therefore, they must turn a critical eye to the upsurge of commercial interests like the Infinity Suit. These threaten to undermine their ethics and co-opt the movement with misleading claims.

Complete Article HERE!

Did Neanderthals bury their dead with flowers?

Iraq cave yields new clues.

The bones of a Neanderthal’s left hand emerging from the sediment in Shanidar Cave in northern Iraq, is seen in an undated photo.

By Will Dunham

A Neanderthal skeleton unearthed in an Iraqi cave already famous for fossils of these extinct cousins of our species is providing fresh evidence that they buried their dead — and intriguing clues that flowers may have been used in such rituals.

Last week, scientists said they had discovered in Shanidar Cave in the semiautonomous Kurdistan region of northern Iraq the well-preserved upper-body skeleton of an adult Neanderthal who lived about 70,000 years ago.

The individual — dubbed Shanidar Z — was perhaps in his or her 40s or 50s. The sex was undetermined.

The cave was a pivotal site for mid-20th-century archaeology. Remains of 10 Neanderthals — seven adults and three infants — were dug up there six decades ago, offering insight into the physical characteristics, behavior and diet of this species.

Clusters of flower pollen were found at that time in soil samples associated with one of the skeletons, a discovery that prompted scientists involved in that research to propose that Neanderthals buried their dead and conducted funerary rites with flowers.

That hypothesis helped change the prevailing popular view at the time of Neanderthals as dimwitted and brutish, a notion increasingly discredited by new discoveries.

Critics cast doubt, however, on the “flower burial,” arguing the pollen could have been modern contamination from people working and living in the cave or from burrowing rodents or insects.

But Shanidar Z’s bones, which appear to be the top half of a partial skeleton unearthed in 1960, were found in sediment containing ancient pollen and other mineralized plant remains, reviving the possibility of flower burials.

The material is being examined to determine its age and the plants represented.

“So from initially being a skeptic based on many of the other published critiques of the flower-burial evidence, I am coming round to think this scenario is much more plausible and I am excited to see the full results of our new analyzes,” said University of Cambridge osteologist and paleoanthropologist Emma Pomeroy, lead author of the research published in the journal Antiquity.

Scholars have argued for years about whether Neanderthals buried their dead with mortuary rituals much as our species does, part of the larger debate over their levels of cognitive sophistication.

“What is key here is the intentionality behind the burial. You might bury a body for purely practical reasons, in order to avoid attracting dangerous scavengers and/or to reduce the smell. But when this goes beyond practical elements it is important because that indicates more complex, symbolic and abstract thinking, compassion and care for the dead, and perhaps feelings of mourning and loss,” Pomeroy said.

Shanidar Z appears to have been deliberately placed in an intentionally dug depression cut into the subsoil and part of a cluster of four individuals.

“Whether the Neanderthal group of dead placed around 70,000 years ago in the cave were a few years, a few decades or centuries — or even millennia — apart, it seems clear that Shanidar was a special place, with bodies being placed just in one part of a large cave,” said study co-author Graeme Barker, a University of Cambridge archaeologist.

Neanderthals — more robustly built than Homo sapiens and with larger brows — inhabited Eurasia from the Atlantic Coast to the Ural Mountains from about 400,000 years ago until a bit after 40,000 years ago, disappearing after our species established itself in the region.

The two species interbred, with modern non-African human populations bearing residual Neanderthal DNA.

Medieval ‘Black Death’ mass grave uncovered in the English countryside

By Ashley Strickland

The sweeping scourge of the Black Death in 14th century England was so great it forced city-dwelling victims out to countryside hospitals, based on the tragic findings in a mass grave in Lincolnshire, England.

The remains of 48 people, including 21 children, were found at a previously unknown Black Death mass grave site at Thornton Abbey, according to a new study.

In less than two years, the Black Death claimed nearly half the lives of people in England between 1348 and 1349. Mass graves in England’s large Medieval cities have shown how overwhelmed they were. But small rural communities weren’t known to have these mass graves until now.

The 48 people in the mass grave were buried over a few days, but those at the medieval hospital attached to Thornton Abbey took the time to carefully wrap each person in a burial shroud and place them individually so they weren’t overlapping.

The study detailing the findings of the mass grave published Tuesday in the journal Antiquity.

The placement of the bodies in the mass grave.

“Later medieval Black Death cemeteries are surprisingly rare in England,” the authors of the study wrote. “The mass grave at Thornton Abbey is set apart from other 14th-century examples by its rural location and monastic association.”
The researchers believe that victims of the Black Death fled the overcrowded cities and overwhelmed hospitals there, only to die at the abbey and its hospital shortly after their journey.

An analysis of the teeth recovered from 16 of the remains revealed Yersinia pestis DNA, the pathogen for the Black Death. It’s the same strain from the outbreak that affected London, based on DNA recovered from mass graves there.
And because the grave site appears to have been disturbed at some point in its history, the researchers believe the mass grave may actually be larger and contain more Black Death victims.

Thornton Abbey was founded in 1139 in the Lincolnshire countryside and did well thanks to an association with the wool trade. Henry VIII closed it during the dissolution of the monasteries in 1539, and at its height, it was one of the richest.

“Medieval hospitals were religious institutions that provided a variety of services to the needy, including assisting pilgrims, providing alms to the poor and helping the sick and dying,” the authors wrote.

Archaeologists began to survey the area in 2011 and discovered earthworks, or human-made land modifications, which they thought represented what was left after a mansion was built on the property. Instead, they began to uncover multiple human remains.

The people were aged from one to 45 years old at time of death, with many of them between one and 17 years of age when they died. And although no babies younger than 12 months were found, the researchers believe the softer remains wouldn’t have been preserved.

Monasteries also struggled as emergency areas and cemeteries opened in the larger cities. About 11 miles from Thornton, Meux Abbey monks suffered from the Black Death and 80% of them died. This may have left Thornton as one of the only local options.

“To a society that valued ‘a good death’ above all else, the universal expectation would have been for the dead to be interred individually and with full church rites,” the study’s authors wrote.

Despite the dark time for the overwhelmed monastery, the care they took with burying the dead suggests how seriously they took their duties. Based on practices at the time, mass graves were seen as a failure of the system. But Thornton provided one of the last places where people could bring their “dead and dying to receive a proper burial and hope for salvation in the afterlife.”

“Although this reflects an acute historical tragedy, it also provides hitherto unseen details about the response of a small rural community to the devastation caused by the arrival of the Black Death,” the authors wrote. “The Thornton Abbey mass grave adds significantly to an understanding of the most deadly pandemic of the last millennium to have affected Europe.”

Complete Article HERE!

The iPhone at the Deathbed

Families are photographing death at home. These photos may feel jarring on Facebook, but the practice itself has a long history.

A kiss after dying: the late Robert Alexander and his youngest sister

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After Robert Alexander died at 51 during heart surgery in June 2018, after he was taken from the hospital to the facility that would recover the tissue and bone he had donated, he was brought to his uncle’s farm in Hinton, Okla., where his six siblings, his mother and other family members and friends had gathered to give him a home funeral.

They laid him out on a sturdy folding banquet table and dressed him in well-worn bluejeans, a Harley Davidson bandanna, a long-sleeved Affliction T-shirt and his black leather vest painted with the American flag. On the wall behind him, they hung a blanket emblazoned with a flaming skull.

A mechanic, Mr. Alexander had loved motorcycles, though his health and finances had kept him from being a regular rider. After he was properly adorned, and “looking pretty badass,” as his sister Tawnya Musser said, his siblings and their mother gathered around him, and a brother-in-law took a family photo using his smartphone.

“We couldn’t think of a time when all of us had been together with Mom,” Ms. Musser, 34, said. “So we had the conversation. Did Mom want a photo with all seven of her children and was it morbid that one of them was dead?”

There ended up being several photographs. They are startling and beautiful. Mr. Alexander looks peaceful and regal. The siblings have shared them among themselves, but the images don’t live on social media, as many contemporary death photos do.

In a collision of technology and culture, of new habits and very old ones, we are beginning to photograph our dead again.

For families like Mr. Alexander’s who are choosing home funerals and following natural death practices — D.I.Y. affairs that eschew the services of conventional funeral parlors — photography is an extension and celebration of that choice.

Family members are sitting with kin in hospice, or taking them home from hospitals, and continuing to care for them after they die, often washing their bodies and then adorning them, as Mr. Alexander’s family did, with favorite clothes, flowers, cards, books and other totems. They are sending their dead off as their grandparents used to, and recording the event and its aftermath with their smartphones.

“You can die in a way that has beauty attached,” said Amy Cunningham, 64, a funeral director in Brooklyn who specializes in “green” burials, without embalming or metal coffins, and assists families who are caring for their dead at home.

“The photograph seals the emotion,” Ms. Cunningham said. “And with cellular phones ever-present, we’re going to be recording all kinds of things we never did previously. Death is just one of them. Though when you’re Facebook posting and the images are wedged between the latest Trump atrocity and cats who look like Hitler it can be jarring.”

So, too, is the now common experience of seeing emoji applied to tragic events. Do you choose the weeping smiley face or just hit “like”?

The End of the Timeline

When Louise Rafkin posted a photo of her mother, Rhoda Rafkin, on Facebook the night of her death at 98 in September with her golden retriever at her side, it rattled some family members and friends.

Ms. Rafkin, 61, an author and martial arts teacher in Oakland, Calif., who is also a contributor to The New York Times, described how she and others had carried Rhoda outside to the garden she had loved. They transported her on an improvised stretcher, a surfboard borrowed from neighbors, and with help from their college-age sons.

Rhoda was dressed in a blue caftan and strewn with sunflowers, roses and gladioli. They tucked her into a sheet, lit candles and sat with her until it was dark. It is a lovely image, shot at the magic hour, as filmmakers like to say of the time just before dusk, but it shocks nonetheless.

“I was crazy about my mom and I wasn’t fazed by her being dead,” Ms. Rafkin said, noting that Rhoda, an educator, had been in hospice for more than six months. “I’ve been through the AIDS epidemic. I’m used to death. There are ways you can make this meaningful. Although I’m not religious, I am a deep believer in ritual and how that can heal and provide context.”

The Facebook post was a way to announce Rhoda’s death, Ms. Rafkin said, adding, “I’m pretty sure my mother would have disapproved, and that’s a tad unsettling. ‘No folderol,’ she said about the whole process.”

Some family members had mixed reactions. “I think what she did in the garden was beautiful,” said Ashley Peterson, 31, of Ms. Rafkin, who is her aunt. “But I felt like posting the photos could make people uncomfortable and leave an image in their minds they did not want to see. ”

Susan Sontag wrote that photography has its own ethics: It tells us what we are allowed to see and what’s taboo. (In the age of TikTok, these rules have evolved beyond all imagining.) If we are more familiar with the deaths of strangers, their violent ends captured by photojournalists, maybe that’s because the deaths of our intimates have been at a remove for so long.

There have been exceptions, of course, like the harrowing images that emerged during the AIDS epidemic from photographers like Therese Frare and artists like David Wojnarowicz, whose tender portraits of his friend and mentor Peter Hujar are holy-seeming and sacramental.

“In one sense it’s surprising because we’ve been so disconnected from death in the last century or so,” said Bess Lovejoy, the author of “Rest in Pieces: The Curious Fates of Famous Corpses,” published in 2013, of the resurgence of home death photography. Ms. Lovejoy is also a member of the Order of the Good Death, an organization of funeral professionals, artists and scholars that prepare a culture generally in denial about death.

“But we are returning to the older ways,” she went on, “a movement backward that some say began in the ’70s, with the back-to-nature movement and midwifery and natural births. The natural death movement is part of that. And these photos are unsurprising, too, because we carry our smartphones all the time, and it’s almost like if there isn’t a photo it didn’t happen. Now everyone is a photographer.”

A post-mortem portrait of a baby from the mid-19th century.

Modern photography was born in 1839, when Louis Daguerre refined a process for capturing an image on silver-plated copper. For decades, one of the most common uses of this new technology was the post-mortem photo: an artfully composed image, taken by a professional photographer, of dead family members in all manner of poses. Dead children in the laps of their parents, often with their eyes painted open; dead adults dressed in their finest clothes; even dead parents holding their living children; or entire families, wiped out by diseases like cholera, typhoid or diphtheria, nestled together in bed.

These were prized mementos, most often the only photograph that was ever taken of the subject, said Stanley B. Burns, 81, the quirky ophthalmologist behind the Burns Archive, a collection of post-mortem and medical photos, among other intriguing photographic genres, stored in a chockablock townhouse in Midtown Manhattan.

The photos in Dr. Burns’s “Sleeping Beauty” books (there are three) are both ghoulish and gorgeous. Dr. Burns pointed out that the subjects tended to look pretty good, because the plagues that felled them did so quickly.

The images have been inspiration and provided material for collectors and Victoriana enthusiasts like Joanna Ebenstein, 48, a writer and curator who was a founder of the idiosyncratic Morbid Anatomy Museum, now closed, in Brooklyn. “Post-mortem photographs can be seen as a Western form of ancestor veneration,” said Ms. Ebenstein, a practice that began to decline when death was outsourced to the clinical environments of hospitals and funeral homes, “and it became taboo to talk about.”

(In 1910, Ladies’ Home Journal rebranded the parlor, where Americans had been laying out their dead for nearly a century, as “the living room” and the nascent funeral industry took the word “parlor” for its activities.)

But what really curtailed post-mortem photography and the elaborate mourning rituals behind it, according to Dr. Burns, was World War I. “There was so much death,” he said. “If everyone is mourning, you lose your fighting spirit. It’s not patriotic.”

“What’s happening now is that people are taking back that process,” Dr. Burns continued. “But the impulse to photograph is the same as it was for the Victorians. They want to show they have seen their person through to the end. ‘I’ve done this work, I’ve loved her to the end.’ It’s your last bond, and you want to document that.”

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As the funeral industry slowly evolves from Big Casket to include a cadre of overwhelmingly female and digitally native professionals with all manner of titles (end of life teachers, death doulas and others), they are displaying their work, with humor and photographs, on social media.

Their message: Get comfortable with death, it doesn’t have to be so scary, and here are photos to prove it.

They share images of the dead attended by family members in their beds, or shrouded in natural fabrics cinched with rope at a grave site. They perform death themselves, as Melissa Unfred, 41, a natural mortician based in Austin, Texas, sometimes does, lying in shallow graves strewn with flowers and turf. Ms. Unfred, who sells “Cremate the Patriarchy” T-shirts on Etsy, is the Mod Mortician of Twitter and Instagram, one of many evangelists for the so-called Death Positive movement.

Caitlin Doughty, 35, a funeral director who describes herself as a mortician activist and funeral industry rabble rouser, recently re-enacted a Victorian-style post-mortem photo shoot with a tintype photographer at the Merchant House Museum in Manhattan, and shared it on YouTube.

Ms. Doughty is the founder of the Order of the Good Death and the author of “Will My Cat Eat My Eyeballs?” published last September, “Smoke Gets in Your Eyes and Other Lessons from the Crematory” and other jauntily titled books designed to demystify death. With her Bettie Page crop, she is an avatar of the goth-inflected sub-tribe of death professionals.

“It’s not like no one never took a photo of Mom in the coffin,” Ms. Doughty said. “I have pictures of my grandparents in their caskets fully embalmed. But the sense of ownership has changed. It’s not, ‘Mom is handed to the funeral parlor and they do something behind the scenes and sell the body back to you.’ Sure, you could take photos but it’s like a statue in a museum. The product of someone else’s art. My sense of why we are seeing more and more photos of these natural bodies is because the families have prepared them themselves, they’ve done a job together and they are proud of their work.”

Ms. Doughty advises families on home death rituals and best practices, like how to keep the dead cool with packs of dry ice. “One family texted me photos as they worked, though not to say, ‘How are we doing?’ but, ‘Look how beautiful.’ I think people have this fear that Mom is going to be this otherworldly creepy thing, and then when that doesn’t happen, they want to capture it.”

Ms. Cunningham, the funeral director in Brooklyn, recalled addressing a group of Unitarians in Albany a few years ago, and saying that she wasn’t sure she would want to be viewed, post-mortem, by her friends and family. That she would prefer to be looking her best. A nonagenarian yelled out, quite sharply, as she remembered, “‘You’ll get over that!’”

“And that got me thinking,” Ms. Cunningham said. “Wouldn’t it be wonderful to die unfettered and free from worrying about how I look?”

Remembrance Portraits

Cancer patients and others with terminal illnesses have long used photos and videos to bear witness to their suffering and make visible that which is considered off limits — on blogs, Twitter and now TikTok — and have encouraged family members and friends to do so on their behalf when they are no longer able to, pushing visual and emotional boundaries well beyond what may be considered comfortable.

As in the Victorian era, post-mortem photographs of children have a terrible urgency and mission. Now I Lay Me Down to Sleep is an organization of volunteer photographers who make “remembrance portraits” of babies, often of the child in their parent’s arms, to assist in the grieving process.

Oliver Wasow, a photographer, recalled the agonizing images a friend shared last summer of her son’s death to cancer at age 8 on Instagram and Facebook, documenting her child’s devastating decline, and then her own grief.

It was shattering to see — “You couldn’t ‘like” the photos,” Mr. Wasow said — but he recognized the value it had for his friend. Some people, he noted, say the difference between analog photography and digital photography is that digital photography is a kind of activity, versus analog photographs, which are documents.

“When you throw in social media, it becomes a record of a process rather than a record of a person. Yet the purpose remains the same whether it’s the 19th century or the 21st,” Mr. Wasow said. “It’s about documenting the transition from a physical body to a memory.”

There are gentler ways to memorialize the process of dying than a portrait of a face with the life drained from it. Lashanna Williams, 40, a massage therapist and death doula in Seattle, has been making portraits of her dying clients, with their permission, to share with family members if they ask for them.

She captures the area between a forefinger and thumb, or the calluses of someone’s hands. Wrinkles, she likes to say, are containers for memories and lived experience. She may take a photo of the crepey skin on an arm, or a scar, and sometimes she layers those images with photo collages made from leaves or flowers. The images are both abstract and intimate.

The aesthetic and language of modern post-mortem photography is not all fabric shrouds and flower petals, however. Monica Torres, 42, is a desairologist (the term for hair and makeup stylists who work on the dead) and embalmer in Phoenix with a sassy Twitter handle, @Coldhandshosts. Her specialty is trauma, and she relies on conventional methods to make decedents look like themselves again.

“I cannot create a positive, lasting memory for families without the chemicals and tools that I use,” Ms. Torres said. The families of her clients often ask her to take photos, or gather at a coffin for a selfie, she added.

An educator, she also shares her work in vivid photos on her website. “Now that the death-positive movement is in full effect,” she said, “families are beginning to show interest, and documenting their journey through grief is a powerful tool to use toward acceptance. We want to empower families with education about what it is we actually do and how our dark art is valuable.”

Bam Truesdale, 37, a hair and makeup stylist in Charlotte, N.C., has been preparing decedents for funeral parlors for 10 years. When his mother, Cynthia Cummings, died at 61 in 2016, he worked on her, too. As is his habit with all the people he prepares, he put earphones in his mother’s ears, and played her gospel music, though he worked in silence.

After Mr. Truesdale had made his mother up and done her hair, pinning a white feather and rhinestone fascinator to her curls, he smoothed her dress, adjusted her stockings and picked her up, placing her gently in her coffin.

He captured the entire process with his Android phone, though when he paused to kiss her face all over, as he used to do when she was alive, the colleague he’d brought from work to help him if he faltered took the phone from him and snapped those photos herself. Afterward, he uploaded the images to a Google drive and did not look at them again until the last week of January.

“I started feeling emotional that day,” he said, “and something in my head told me, I think it was her, that I had never shared her like she asked me to.” When Ms. Cummings was dying, she made Mr. Truesdale promise that he would make sure no one would forget her. Mr. Truesdale said, “I was going back and forth, ‘Maybe I should? Maybe I shouldn’t? People are going to think I’m weird.'”

It was evening when Mr. Truesdale posted his dead mother’s photos on Facebook. He awoke the next morning to find his phone lit up with thousands of comments and notifications. Many people asked if he could make the post public, so he did. By the end of the day, 25,000 people had “liked” the post, and it had been shared more than 15,000 times.

Among the more than 4,000 comments, the most common were that Ms. Cummings looked beautiful, and that Mr. Truesdale had done a wonderful job caring for her. Strangers wrote that they wished they could have had a similar experience with their own family members.

His three siblings thanked him, too. “They didn’t know they wanted to see the pictures,” he said. “But they did.”

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